Hurry Up Tomorrow

<em>'Hurry Up Tomorrow'</em> isn't a movie that I found any enjoyment in. Jenna Ortega is the only plus for it that I do hold, her performance is solid and the most watchable part of this 2025 release; early on, with the seperated viewpoints, it was like night and day in terms of interest. Barry Keoghan is another star name attached, though his character is quite forgettable; at least until the end. Abel Tesfaye (aka The Weeknd; his latest album serves as the movie's soundtrack) is the film's lead, this is my first time seeing him act and he's alright, I guess, just not all that interesting a role. I do like that musician's major hits, "Blinding Lights" is a banger and its usage here is very good to be fair (probably the standout scene); no use, though, of "Starboy", which is probably my favourite track of his. I do think he has some potential to be a decent actor, I see some glimpses. All in all, I can't say that I had a positive time with this. It didn't truly annoy me, but I was certainly happy to see the credits. It does set its atmosphere fairly well and has some neat camera work, but I'm kinda have to reach to give it praise - never a good sign. I almost got to see this one in an <a href="https://letterboxd.com/r96sk/list/watched-in-an-empty-cinema/" rel="nofollow">empty cinema</a>, on UK release day no less (ouch). Two others arrived late and left early (double ouch), so technically it happened I guess. Big fan of watching films on the big screen by myself, even if it's obviously not great for the film or cinema.

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/hurry-up-tomorrow-movie-review-fame-depression-and-a-stylistic-blur-of-misfires/ "Hurry Up Tomorrow is one of the most convoluted, frustrating movies of the year. A glaring example of how style can drown substance, and how unchecked artistic ego can turn a potentially compelling work into an exercise in hollow self-indulgence. Despite some undeniable visual qualities and earnest performances from the cast, Trey Edward Shults and Abel “The Weeknd” Tesfaye fall short on all essential fronts: narrative, structure, emotion, and purpose. It's a murky experience that leaves viewers perplexed and distant - a wasted opportunity for everyone involved." Rating: D