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Darling
Overlook Pick

Darling

When she was good she was very, very good… and when she was bad she was DARLING!
67
User Score148 ratings
TMDB 6.716+19652h 8mEnglish
DramaRomance

Synopsis

Diana, a beautiful but shallow and easily distracted model and failed actress, toys with the affections of several men while attempting to gain fame and fortune in Swinging London.

Director
John SchlesingerFrom TMDB credits
Studio
Vic Films Productions2 production companies
Release
August 3, 1965Released
Box Office

Top Cast

8 of 74
Julie Christie
Julie Christie
Diana Scott
Dirk Bogarde
Dirk Bogarde
Robert Gold
Laurence Harvey
Laurence Harvey
Miles Brand
José Luis de Vilallonga
José Luis de Vilallonga
Prince Cesare della Romita
Roland Curram
Roland Curram
Malcolm
Basil Henson
Basil Henson
Alec Prosser-Jones
Dante Posani
Dante Posani
Gino
Umberto Raho
Umberto Raho
Signor Palucci

Trailers & Photos

Reviews

From TMDB users
Nutshell
Aug 3, 2019

A sometimes interesting character study of a young actress / model and her downward spiral in 1960s London. Good performances all around, but no likeable characters at all. Possibly good fare for a rainy Saturday afternoon.

CinemaSerf
Nov 10, 2022

Julie Christie is on top form as the determined "Diana". She is an attractive aspiring model and nothing is going to stop her reaching her goals - fame and fortune! She is married and initially in love with "Tony" (TR Bowen) but a chance interview with "Gold" (Dirk Bogarde) offers her new opportunities and horizons and soon they are adulterers together! Not for long though, he introduces her to "Brand" (Laurence Harvey) and, well you get the drift. Finally, she ends up in a bit of a shell marriage to the Prince Cesare (José Luis de Vilallonga) and it is at this point she gives the interview that provides us with this retrospective of her life that is largely told via flashback. John Schlesinger works his cast really well here and together with a cleverly constructed screenplay from Frederic Raphael; some creative photography from Ken Higgins and some stylish fashions courtesy of Julie Harris offers us a potent insight into the vanity and shallowness of industries where people are commodities, and those who use and abuse it (on both sides) are only ever one step away from depression and failure. It is too long, and the story can be a little sluggish at times, but Christie is an excellent choice for "Diana" and she throws her heart and soul into her characterisation. It's still apposite almost sixty years later - and sends a salutary message to anyone who might think there are any easy wins in this hard-as-nails business that rarely values loyalty or longevity.

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