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The First Legion
Overlook Pick

The First Legion

It will give you that warm, wonderful feeling deep in your heart...
74
User Score5 ratings
TMDB 7.416+19511h 26mEnglish
Drama

Synopsis

A Catholic priest fights against his colleagues' immediate acceptance of an ambiguous “miracle”.

Director
Douglas SirkFrom TMDB credits
Studio
United Artists2 production companies
Release
May 4, 1951Released
Box Office

Top Cast

8 of 16
Charles Boyer
Charles Boyer
Father Marc Arnoux
William Demarest
William Demarest
Monsignor Michael Carey
Lyle Bettger
Lyle Bettger
Dr. Peter Morrell
Barbara Rush
Barbara Rush
Terry Gilmartin
Leo G. Carroll
Leo G. Carroll
Father Rector Paul Duquesne
Walter Hampden
Walter Hampden
Father Edward Quarterman
Wesley Addy
Wesley Addy
Father John Fulton
Taylor Holmes
Taylor Holmes
Father Keene

Trailers & Photos

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Reviews

From TMDB users
CinemaSerf
Dec 5, 2024

"Dr. Morrell" (Lyle Bettger) is adamant that the ageing "Fr. Sierra" (H.B. Warner) will never walk again, until - well, he does. Is this a miracle? There are those amongst this priestly, Jesuit, brotherhood who are all too eager to have it declared one, but "Fr. Arnoux" (Charles Boyer) is a tad more sceptical. His concerns aren't exactly assuaged when the wheelchair-bound young "Terri" (Barbara Rush) hopes that this is but a precursor to her own healing. "Arnoux" is also determined to stop the disillusioned "Fr. Fulton" (Wesley Addy) from abandoning his faith, but with all these shenanigans going on, he perhaps isn't so certain of his own - a fact that hasn't escaped the sagely "Father Rector" (Leo G. Carroll) who has quite a few plates to juggle, or the visiting and rather jolly "Monsignor Carey" (William Demarest). It's quite easy to dismiss this as a dose of Christian hokum, but it's actually quite a bit more of a subtle look at hope and how ready people are to believe in just anything when it is absent. That's well exemplified here by a personable effort from Rush and also from both Boyer and Addy, too. We sense all along that the doctor knows a great deal more than he's letting on, and that also helps create a sense of the perplexing that does raise a few questions about the power of prayer (or not). The photography also adds a bit of richness to the drama, intimate but never intrusive, and complemented by a gently effective score from Hans Sommer that gives this an extra humanity. I haven't a religious bone in my body, and the first half hour did make me wonder what moralising I was to expect, but by the end it proved a more thought-provoking look at belief, instead.

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