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Dead End
Overlook Pick

Dead End

THE GREATEST GANGSTER THRILLER THAT EVER EXPLODED FROM THE SCREEN!
70
User Score149 ratings
TMDB 7.016+19371h 33mEnglish
CrimeDrama

Synopsis

The lives of a young man and woman, an infamous gangster and a group of street kids converge one day in a volatile New York City slum.

Director
William WylerFrom TMDB credits
Studio
Samuel Goldwyn Productions1 production companies
Release
August 27, 1937Released
Box Office
Budget $900,000

Top Cast

8 of 53
Sylvia Sidney
Sylvia Sidney
Drina
Joel McCrea
Joel McCrea
Dave
Humphrey Bogart
Humphrey Bogart
"Baby Face" Martin
Wendy Barrie
Wendy Barrie
Kay
Claire Trevor
Claire Trevor
Francey
Allen Jenkins
Allen Jenkins
Hunk
Marjorie Main
Marjorie Main
Mrs. Martin
Billy Halop
Billy Halop
Tommy

Trailers & Photos

Reviews

From TMDB users
CinemaSerf
Jun 20, 2022

OK, so this is definitely not the cheeriest of stories but Bogart and Joel McCrea are on good form throughout this gritty drama of hardship and depravity on the East Side of New York. "Baby Face Martin" - who, to be fair, maybe benefits a bit optimistically from the moniker - returns to his childhood home to reunite with his mother and childhood sweetheart. His mother wants nothing to do with him and his ex "Francie" (Claire Trevor) turned to prostitution and hasn't long to go before syphilis does for her. Meantime his friend, aspiring/struggling architect "Dave" (McCrae) is juggling his romantic interests between sweet but rather dreary "Drina" and "Kay" (Wendy Barrie) who already has a rich boyfriend. All of this misery is made all the more poignant by the fact that this ghetto is overlooked by the apartments of the wealthy that have relocated to new properties that overlook the adjacent East river. When Bogart decides that he wants to re-assert himself in the community by organising a high-profile kidnapping, he and his erstwhile friend find themselves on opposite sides of the plot! The crime drama is there, but it is comparatively weak compared with the pretty blatant social commentary from Lillian Hellman's screenplay that draws attention, unashamedly, to the stark contrast between the standards of living (and dying) of those just yards apart.

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