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The Reckless Moment
Overlook Pick

The Reckless Moment

It could happen to so many married women!
68
User Score138 ratings
TMDB 6.816+19491h 22mEnglish
DramaThrillerCrime

Synopsis

After discovering the dead body of her teenage daughter's lover, a housewife takes desperate measures to protect her family from scandal.

Director
Max OphülsFrom TMDB credits
Studio
Walter Wanger Productions1 production companies
Release
December 9, 1949Released
Box Office

Top Cast

8 of 57
James Mason
James Mason
Martin Donnelly
Joan Bennett
Joan Bennett
Lucia Harper
Geraldine Brooks
Geraldine Brooks
Bea Harper
Henry O'Neill
Henry O'Neill
Tom Harper
Shepperd Strudwick
Shepperd Strudwick
Ted Darby
David Bair
David Harper
Roy Roberts
Roy Roberts
Nagel
Jessie Arnold
Jessie Arnold
Old Lady (uncredited)

Trailers & Photos

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Reviews

From TMDB users
CinemaSerf
Jul 9, 2022

What is it about folks in movies who find dead bodies? Rather than just call the police and rely on them to adequately do their jobs, they always find themselves embroiled in silly, self-inflicted plots that almost always cause far more trouble... Here is another such example. Joan Bennett is "Lucia", a rather bored housewife whose husband is always away, and whose young daughter "Bea" (Geraldine Brooks) is having a fling with the rather roguish "Ted" (Shepperd Strudwick). Her mother tries to put a stop to the relationship, be he wants paying off - she tells him to get lost. Next day, he confronts poor old "Bea" with the truth, a tussle ensues and soon "Ted" is down with the fishes, the daughter having tried to cover her tracks. Police find the corpse, and enter James Mason ("Donnelly") and his even more unscrupulous partner "Nagel" (Roy Roberts) who have some incriminating letters and want $5,000 to keep them from the investigation. Mother, determined to save her irresponsible child, tries to accommodate the blackmailer and over time their dynamic changes somewhat... It's quite a quirky story with two good performances - Mason, quite understated and Bennett measured - even when under quite a bit of pressure, and the direction from Max Opuls keeps the pace well. Sadly, he struggles to see it off the rocks of melodrama as we near the end, but even that is a bit different.

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