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The Lady from Shanghai
Overlook Pick

The Lady from Shanghai

I told you... you know nothing about wickedness
74
User Score721 ratings
TMDB 7.416+19471h 27mEnglish
MysteryCrimeThrillerDrama

Synopsis

A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

Director
Orson WellesFrom TMDB credits
Studio
Mercury Productions2 production companies
Release
December 24, 1947Released
Box Office
$2MBudget $2M

Top Cast

8 of 65
Rita Hayworth
Rita Hayworth
Elsa Bannister
Orson Welles
Orson Welles
Michael O'Hara
Everett Sloane
Everett Sloane
Arthur Bannister
Glenn Anders
Glenn Anders
George Grisby
Ted de Corsia
Ted de Corsia
Sidney Broome
Erskine Sanford
Erskine Sanford
Judge
Gus Schilling
Gus Schilling
Goldfish
Carl Frank
Galloway

Trailers & Photos

Reviews

From TMDB users
CinemaSerf
Jun 20, 2023

This is another film where the two top-billed - Rita Hayworth ("Elsa") and Orson Welles ("Michael") are outshone by a strong supporting effort. This time, that comes from Everett Sloane. Here, he is renowned barrister "Bannister" who needs crutches to walk and is married to the restless "Elsa". She was taking a cab through the park one night when accosted by robbers. "Michael" was passing and came to the rescue. Next thing "Bannister" is asking him to come work on their luxury yacht. Clearly, he is attracted to the wife and soon a rather complex game is afoot - but who is playing whom? Meantime, "Grisby" *Glenn Anders) - the partner of "Bannister" in their law firm tries to embroil "Michael" in a rather cunning wheeze to create a corpse-less crime enabling him to flee his overbearing wife and claim some insurance money. It isn't long before the corpses do start to pile up and "Michael" is front and centre in the courtroom defended by "Bannister" for murder. Who actually did the killing, though? The film is very much at it's best with a strong performance from Hayworth, Welles and Sloane all playing against each other. I found the parallel plot to all be just a bit far-fetched. The ending is cracking, though - and though perhaps I felt there was a little injustice in it, it works really well. The production looks great, Hayworth dons her sailor's cap with panache and though a bit lumbering, Welles gels quite well with her as we progress. Good film, this.

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