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Man in the Attic
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Man in the Attic

The Life...The Loves...The Crimes of Jack the Ripper!
55
User Score52 ratings
TMDB 5.516+19531h 22mEnglish
ThrillerCrimeHorror

Synopsis

London, 1888: on the night of the third Jack the Ripper killing, soft-spoken Mr. Slade, a research pathologist, takes lodgings with the Harleys, including a gloomy attic room for "experiments." Mrs. Harley finds Slade odd and increasingly suspects the worst; her niece Lily (star of a decidedly Parisian stage revue) finds him interesting and increasingly attractive. Is Lily in danger, or are her mother's suspicions merely a red herring?

Director
Hugo FregoneseFrom TMDB credits
Studio
Panoramic Productions2 production companies
Release
December 31, 1953Released
Box Office

Top Cast

8 of 14
Jack Palance
Jack Palance
Slade
Constance Smith
Constance Smith
Lily Bonner
Byron Palmer
Byron Palmer
Insp. Paul Warwick
Frances Bavier
Frances Bavier
Helen Harley
Rhys Williams
Rhys Williams
William Harley
Sean McClory
Sean McClory
Constable #1
Leslie Bradley
Leslie Bradley
Constable #2
Tita Phillips
Daisy (the maid)

Trailers & Photos

Reviews

From TMDB users
CinemaSerf
Jun 22, 2022

Jack Palance is "Slade", a curiously enigmatic stranger who takes rooms in the home of the "Harley" family. It's at the height of the paranoia in Victorian London surrounding the "Jack the Ripper" killings and as our story develops, both "Mrs. Harley" (Frances Bavier) and the audience begin to suspect that our reclusive visitor may well have a secret to keep. Those suspicions only intensify when he takes a shine to her actress niece "Lily" (Constance Smith) and we really do wonder if she is soon to be toast, too! Hugo Fregonese does manage to build a little menace into this: the dark eerie settings, the foggy London scenes all add a richness to the drama. Palance, however, is as wooden as a picket fence; he brings very little to his part. Indeed, aside from an amiable few scenes from Rhys Williams as "Harley", the acting is all a bit dry and stagey and that drags the whole thing down rather. It is still quite watchable, though, but with a better actor in the lead it could have been much more intriguing and I think I preferred "The Lodger" (1944).

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