Get Out

Horror and comedy have blended well since around the beginning of film for one key reason: the release that both allow from the audience. The building set-up is not unlike the quiet before the jump scare. Both utilize equations of timing to provoke an unconscious reaction. Because of these similarities, the horror-comedy is a well-tapped genre, especially in the last couple decades of works aiming their trajectory at the cult DVD bin. So it takes a particular level of skill to mine new ground in the territory, particularly from a first time director. What makes Jordan Peele’s Get Out so engaging, frightening and hysterical is that he knows exactly when to play the material straight; which it turns out is most of the time. <a href="http://www.cutprintfilm.com/reviews/get-out/" rel="nofollow">Full review </a>

~ NO SPOILERS ~ This is an extremely impressive film from Peele. Its smart and knows it-- teasing you along the way of what is to unfold at the film's climax. The main character is a photographer goes to visit his GF's house and all-white family. Things are not as they appear at first glance, and as the film progresses it becomes even more disturbingly obvious that the family is hiding a secret. As time goes on, cracks begin to form in the sticky sweet facade of pleasantness surrounding the home. Beyond this I can't spoil it, but the third act of this film is very satisfying. I don't think there was any part of this film that overstayed its welcome or felt weak. The acting performances overall are superb, the cinematography is excellent, and the lighting is also well done. Please go see this movie if you are into horror/comedy, its worth supporting.