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User Score56 ratings
TMDB 7.516+19721h 45mEnglish
Drama

Synopsis

The oldest son of a loving and strong family of black sharecroppers comes of age in the Depression-era South after his father is imprisoned for stealing food.

Director
Martin RittFrom TMDB credits
Studio
Radnitz/Mattel Productions1 production companies
Release
September 24, 1972Released
Box Office

Top Cast

8 of 30
Cicely Tyson
Cicely Tyson
Rebecca Morgan
Paul Winfield
Paul Winfield
Nathan Lee Morgan
Kevin Hooks
Kevin Hooks
David Lee Morgan
Taj Mahal
Taj Mahal
Ike
Janet MacLachlan
Janet MacLachlan
Camille Johnson
Carmen Mathews
Carmen Mathews
Mrs. Boatwright
James Best
James Best
Sheriff Charlie Young
Eric Hooks
Earl Morgan

Trailers & Photos

Reviews

From TMDB users
CinemaSerf
Jul 5, 2025

After an energetic but fruitless coon hunt, “Nathan” (Paul Winfield) returns home to a family with his young son “David” (Kevin Hooks) and some empty bellies. They are a close and loving bunch and “Nathan” knows that nothing is likely to improve until the cropping season starts - but that is still some months away. Then he goes and gets himself imprisoned for stealing food and that leaves his wife “Rebecca” (Cicely Tyson) and the children to eke what they can and deal with the planting whilst he does twelve months hard labour. It doesn’t help their morale that they don’t even know where he has been detained, and so “David” with the help of their kindly neighbour “Miss Boatwright” (Carmen Matthews) sets about trying to track him down and make a contact that can reassure both that they are in each other’s thoughts and prayers. This film sees two strong performances. One from Tyson as a woman who will move heaven and earth to keep her family together and from starvation and the other from the enthusiastic and charismatic young Hooks who delivers quite poignantly as the young man who just wants to be with his dad. It shines the usual light on racism and iniquity, but it also extols some positivity as the young kids are determined to go to school, and they have parents who are equally determined that this opportunity should not be wasted. It’s touching but not sentimental and there is a degree of optimism for these children and, thanks to the somewhat risky intervention of “Miss Boatwright”, there might even be some roots of decency sprouting from the white folks too. The production is really quite effective at illustrating just how tough their lives was, and at the double-standards that prevailed amongst a community where hard work earned little but money for someone else.

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