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Our Dancing Daughters
Overlook Pick

Our Dancing Daughters

THE JAZZ-MAD GIRL, THE JAZZ-MAD WHIRL: A romance of flaming youth, the children of the rich, and the jazz-mad age.
63
User Score33 ratings
TMDB 6.316+19281h 24mEnglish
DramaRomance

Synopsis

A flapper who's secretly a good girl and a gold-digging floozy masquerading as an ingénue both vie for the hand of a millionaire.

Director
Harry BeaumontFrom TMDB credits
Studio
Metro-Goldwyn-Mayer1 production companies
Release
September 1, 1928Released
Box Office
$1MBudget $178,000

Top Cast

8 of 12
Joan Crawford
Joan Crawford
Diana 'Di' Medford
Johnny Mack Brown
Johnny Mack Brown
Ben Blaine
Nils Asther
Nils Asther
Norman
Dorothy Sebastian
Dorothy Sebastian
Beatrice 'Bea'
Anita Page
Anita Page
Ann 'Annikins'
Kathlyn Williams
Kathlyn Williams
Ann's Mother
Edward Nugent
Edward Nugent
Freddie
Dorothy Cumming
Dorothy Cumming
Diana's Mother

Trailers & Photos

No media available

Reviews

From TMDB users
CinemaSerf
Mar 24, 2024

This might have made for a better story had either of the women vying for the hand of millionaire "Ben" (Johnny Mack Brown) actually had a real man to chase. The parade of rather similar, foppish, characters on offer for them here really do make you wonder whey they didn't just pick each other. Except, of course, that would defeat the purpose - and that's to marry into money. So to that end the outgoing, vivacious "Diana" (Joan Crawford) sets her cap at our charm-free hero only to find that the more shrewd "Ann" (Anita Page) has adopted a rather more cunning, low-key, approach to her goal. Whilst society likes "Diana", it takes a pretty dim view of her as marriage material and of course "Ben" just takes the easy option. Once married, though, he begins to realise he's make a mistake. His wife is a spoilt, boozing and rather unpleasant woman who plays around with the handsome but boyish "Freddie" (Edward J. Nugent). Things come to an head when "Diana" decides to go to the continent for a year or two and sister "Bea" (Dorothy Sebastian) holds her a going away party. In vino veritas and all that now follows, with tragic results. The story is a bit whimsical, and the characters play largely to the stereotypes of spoiled and shallow rich folks - but it's very clear right from the outset that Crawford is a star. Her characterful joie-de-vivre, her lively dancing and delightful facial expressiveness show clearly that she is the owns the screen here, and that she is going to continue to do so moving forward too. The photography captures both the joy and intensity of the story nicely as this story of 1920s unhappiness and conformity plays out before us.

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