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The Toll
Overlook Pick

The Toll

Everybody pays the troll toll.
56
User Score48 ratings
TMDB 5.616+20211h 23mEnglish
ComedyThrillerCrime

Synopsis

Brendan works solo shifts in the quietest toll booth in Wales, hiding from a criminal past where nobody would ever look. When he finally gets rumbled, word of his whereabouts gets out and his enemies head west for revenge. Meanwhile, local traffic cop Catrin’s investigation into a simple robbery finds her heading for the booth at exactly the wrong time.

Director
Ryan Andrew HooperFrom TMDB credits
Studio
Ffilm Cymru Wales5 production companies
Release
August 5, 2021Released
Box Office

Top Cast

8 of 21
Michael Smiley
Michael Smiley
Toll Booth
Annes Elwy
Annes Elwy
Catrin
Gary Beadle
Gary Beadle
Elton
Iwan Rheon
Iwan Rheon
Dom
Steve Oram
Steve Oram
Mr Henry
Evelyn Mok
Evelyn Mok
Dixie
Paul Kaye
Paul Kaye
Cliff
Julian Glover
Julian Glover
Magnus

Trailers & Photos

Reviews

From TMDB users
CinemaSerf
Apr 14, 2022

Now I'm usually a fan of Welsh movies. They usually excel at making me laugh, and at not taking themselves at all seriously. Well this one - not so much! Michael Smiley ("Brendan") mans a remote toll port-a-cabin in west Wales where he is lucky to see three or four cars per day. Why would anyone want such a dull job? Well local police officer "Catrin" (Annes Elwy) arrives at his booth one night and he proceeds to explain all about his somewhat dodgy criminal past, and soon we are immersed in a retrospective style feature involving kidnapping, murder and the theft of some iDrops! The comedic elements, and there are some, raise a smile for a few minutes but that doesn't sustain 80 minutes as the film quite quickly runs out of steam. Iwan Rheon is underused, and the soundtrack offers us hope of an ending that simply doesn't deliver. The dialogue is unnecessarily ripe at times, there's little shock or entertainment value in that anymore - we are all just to anaethetised to it now. Clearly a labour of love for Matt Redd and Ryan Hooper, and I suppose that this is the kind of low budget film that the BFI ought to be funding; but just wait til it gets onto the small screen. No need at all to see this at a cinema.

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