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Pandora's Box
Overlook Pick

Pandora's Box

75
User Score262 ratings
TMDB 7.516+19292h 21mGerman
DramaCrimeRomance

Synopsis

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Director
G.W. PabstFrom TMDB credits
Studio
Nero-Film AG1 production companies
Release
January 30, 1929Released
Box Office
$885,533

Top Cast

8 of 11
Louise Brooks
Louise Brooks
Lulu
Fritz Kortner
Fritz Kortner
Dr. Ludwig Schön
Francis Lederer
Francis Lederer
Alwa Schön
Carl Goetz
Carl Goetz
Schigolch
Krafft-Raschig
Rodrigo Quast
Alice Roberts
Alice Roberts
Countess Anna Geschwitz
Daisy D'Ora
Daisy D'Ora
Charlotte Marie Adelaide von Zarnikow
Gustav Diessl
Gustav Diessl
Jack the Ripper

Trailers & Photos

Reviews

From TMDB users
CinemaSerf
Jun 6, 2022

Louise Brooks is Peter Pan-esque in this stylishly depicted story of "Lulu". She is beautiful and sexy, and she uses her gifts to effortlessly ensnare the wealthy "Dr. Schön" (Fritz Kortner). When it comes to marriage, however, she is tainted goods and so he becomes affianced to the more suitable "Charlotte" (Daisy D'Ora). He's still the jealous type, though, and is determined she will love no other. To that end he facilitates her joining the theatrical show of his adult son "Alwa" (Francis Lederer), who is none to immune to her charms either! Predictably, this plan only serves to throw oil on the fire and soon the now completely compromised, but smitten, doctor must make a decision he is loathe to - with tragic consequences ensuing for him, and for "Lulu". The performances ooze charisma and personality, the light and shade cleverly create atmospheres of passion, frustration and even some menace as the woman and her life rise and and fall before us. Carl Goetz is quite effective as "Schigolch" - one of her previous examples of collateral damage - as is Krafft-Raschig as the muscle-bound "Quast". By any modern day standard, this is a soap - a very good, well photographed and charming soap - but a soap nonetheless and it stretches the bounds of serendipity and plausibility just once too often for my liking. That said, Brooks turns her hand to just about everything here and is superb - and I did rather enjoy this.

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